End Of The Month Wrap Up: May 2015


I said I wanted to make May a more musical month and I did for sure. However, my mix of wanting to see love music, the Special Olympics fundraiser and just a tad bit of laziness didn’t make for an excellent cataloging and blog month. I do apologize for leaving you, my faithful followers hanging!!

Ea$y Money Preview Party

Like I said, it was a more musical month with mine and the roomie’s first trip out to Ea$y Money’s listening party for his new music. We found out about it because Mr. Richard is now interning for Killer Boombox. He’s starting up this week I believe so we’ll have some more events on the horizon and I’m really excited for him.

AWOL

The party was at AWOL, a sneaker and clothing store in Alston. It made for an intimate feel and Seduce vodka was there serving up some adult beverages. Pretty much everyone from the Boston rap and hip hop scene was there, Dutch ReBelle, members of STL GLD, etc. There happens to be a show coming up at the Middle East with all of them in a few months so if you’re in the area, be sure to look it up.

Ea$y Money at Preview Party

At times, it was a bit hard to hear the music, with everyone chatting but I do strongly recommend you head over to iTunes and download Ea$y Money’s new album ASAP. The samples used are dope, there were a few instances with the crowd singing along and his flow is damn on point too.

Piff Unit in Lawrence MA

That was the beginning of the month and we kept it pretty low key until last weekend. We ventured up to Lawrence. LawTown as they call it, LawlessTown as the roommate calls it. We went up because Dutch was going to be there, so as much as we did enjoy finding some new acts like Piff Unit, I was bummed she only performed Yen. Aside from Piff Unit (above), we also got some songs by Ea$y Money and Terminology.

Lumidee in Lawrence MA

Closing out the show was Lumidee. Since Lawrence does have that reputation, lights went up and security was quick to rush us out.  And by quick, I mean, I’m glad I didn’t need to us the rest room or anything because I’m sure they would have watched. We were rushed to waiting police, rushing everyone to their cars. It was a little intense.

When it was over with, it was still a great show. Dutch can always perform, even switching out mics mid song without missing a beat. Check out my Instagram for that!

June is the month of Boone – Pat Boone! I have pretty much scheduled those out so here’s hoping there’s no hiccups! I’m also planning on getting back to work on the blog. As much as I want to get back on it right away tonight, it’s getting late and I have a Special Olympian visiting my office tomorrow that I need to prepare for.

Raffles in the office every week, bake sales every two weeks and a bar night coming up! I’ve hit my initial goal for the fundraiser, but I’m hoping to have my whole team of 22 hit $30,000 for the Special Olympics. We have just under 50 days until the rappel down the Hyatt in Boston and are at almost at $18,000 so I think it’s very possible!

You can check out my fundraising page HERE (it’d be f*cking awesome if you donated) and follow along on the My Dad’s Albums Facebook page for a more personal look at my adventure from start to rappel day!

Over the Edge 2014 Collage

Mr. Richard’s Reviews: Lil Kim – The Notorious Kim


Lil Kim – The Notorious Kim (written by Kim Jones and produced by Rockwilder, Sean “Puffy” Combs, and Christopher “The Notorious B.I.G.” Wallace)

Honestly, this has been my jam for a cool minute. I don’t even want to put the record back in the stacks. It’s such an amazing track.

The fact that it features Notorious B.I.G. is too cool. His hook isn’t overbearing, but it brings some of that great 90’s flavor. The beat and production has so much Bad Boy Entertainment flair to it that it clearly qualifies as top notch golden era hip hop.

Lil Kim is one of my favorite female rappers of all time. It is so difficult to keep up with her delivery because she honestly speaks over 180 beats per minute. It’s a little nutty. This maxi-single goes right into “Big Momma Thang” featuring Jay-Z and both versions are dirty so I don’t have to move the needle all over the place. I don’t mind radio edits sometimes, but Lil Kim swears so much that the songs are always ruined. It’s so grimy and erotic but it’s not played out. Today’s female rappers on the radio use phrases that don’t get edited but mean totally disgusting things.

You know, but Lil Kim is an artist that rap vinyl lovers must have in their catalogue.

– Mr. Richard

Check out the original post HERE.

Doomstarks


We should be looking for to the actual album from MF Doom and Ghostface soon, it was said to be coming out this year. I’ll need to set aside some cash now so I can scoop it up as soon as it hits the shelves.

Victory Laps Doomstarks

Victory Laps

Doomstarks

Side One

Original
Instrumental

Side Two

Madvillaninz Remix
Madvillaninz RMX Instrumental

Mr. Richard’s Reviews: Glue – Catch as Catch Can


Glue – Catch as Catch Can (all lyrics by Adeem and samples, scratches and interludes by DJ DQ and produced by Maker)

Lately, I have been incredibly busy and feel a little spread thin. As a result, I’ve been bumping this album pretty hard because it motivates me. For a local rap group, Glue still has a pretty solid following and people get ecited when they reunite. They’ve never broken up or dissolved the band, but Adeem, DJ DQ and Maker all have strong independent careers. I once met Adeem in his hometown of Keene, New Hampshire, a place that is the setting of many of his songs. The group’s wholehearted approach to creating music reaches out into new territory.

Asides from a tangential relationship to Keene and Adeem, DJ DQ’s folktablism is so beautiful and his choice of samples always tests your musical knowledge. I fell in love with their EP ‘Sunset Lodge’ and ‘Catch as Catch Can’ was their first, and only, major release all the way back in 2006. This album gem I happened to stumble across for quite cheap and just had to have it. So worth it, because they do have great distribution the count of pressings available locally has never been very high.

Lyrically, “Hometown Anthem” is touching and relevant to the majority of how Americans live. The members being from Keene, Cincinnati (DJ DQ), and Aurora, IL (Maker) gives him a lot of fodder for storytelling with heart. Although it’s not easy to sing along with Adeem’s delivery and complicated rhyming pattern, the first time that you listen to this track makes you feel like you somehow know the words. Maker’s production on this track is my second favorite on this vinyl as well. You can’t help but groove along.

Musically, “Glupies” is a romantic disregard for fame-chasing yuppies who lack any self-respect. One night stands don’t fly with Adeem as proclaimed. The production is superb with the sound of almost a Carly Simon or Carol King vibe. The hook “Say you’ll never let me catch my breath, cuz we only met a moment ago” reverberates long after the C-side stops turning. “Vessel” is another great beat composed by DJ DQ and Maker and if you’re interested has a music video. The analog guitar gives it a warm tone that is often lost to electronics in rap and hip hop.

Understandably, I am biased to a rapper who can perform so amazing without any experience in the “thug life” from the mean streets of Keene. However, I am not alone when I exclaim that another project from Glue is beyond overdue at this point! This album was made from nothing, on no budget, across the country. I assume family lives have gotten in the way, but just one single or something would satiate my quench for more. I’m probably going to have to order ‘Sunset Lodge’ and ‘Seconds Away’ online because I’ve never seen them. I suppose Erica and I could take an hour and a half ride up to New Hampshire for some crate digging too.

– Mr. Richard

Check out the original post HERE.

Tone Loc’s Posse Love


You know what’s kind of crazy? Tone Loc has been in some TV shows that I watch pretty regularly. I can’t fall asleep at night sometimes without the TV so I watch a ton of syndicated shows and never realized that he had voiced a character on King of the Hill or been on Yes, Dear.

ToneLocPosseLove

Posse Love

Tone Loc

Side One

Posse Love (LP Version)
Posse Love (LP Version without Guitar)

Side Two

Posse Love (Guitar Instrumental)
Posse Love (LP Instrumental)

Mr. Richard’s Reviews: N.W.A. – Panic Zone


N.W.A. – Panic Zone (written by Krazy Dee, A. Young, and Arabian Prince and produced by Dr. Dre)

In lieu of the biopic that is soon to be released in theaters, I figured it was time to rock some N.W.A. It doesn’t hurt that my neighbors play repetitive reggaeton beats all day and I have to listen if I want the windows open.

There’s not much to say about this epic supergroup, although not because they were successful individuals that came together but because they all left to pursue lucrative careers. Dr. Dre’s early production demonstrates his development as an artist later. I’m not the biggest fan of Ice Cube, but N.W.A. is so good and more relatable than his personal ambitions and statements lyrically. Every time that I play “Panic Zone” or “Dope Man” on the B-side, I do remember that I like his music and should try to get into it more. Ice Tea, I mean “hello?!”- how can you not love his ability to make serious drama into a danceable sing along. He is such an amazing entertainer. And Eazy E must not be passed over. This is the only maxi-single that we have in our collection with Eazy and I don’t like that. I want more of his music in our catalogue!

Thank you Erica for this important piece that you let me unwrap at Christmas last year, because everybody needs a little N.W.A. in their summertime mixes.

– Mr. Richard

Check out the original post HERE.

The Notorious Kim


Growing up, I thought Lil’ Kim was the most inspiring female MC out there and I still give her credit of course, but I don’t know, my love affair with her music has just fallen off for some reason. I don’t know why, but I stopped putting effort into listening to her new music and I should really check out what has been done since her release.

Kimberly Denise Jones (born July 11, 1974 or 1975) known by her stage name Lil’ Kim, is an American rapper, songwriter, record producer, model, and actress. She was born and raised in Brooklyn, New York, living much of her adolescent life on the streets after being expelled from home. Performing a freestyle rap for The Notorious B.I.G. got her music career start in 1995 with his group Junior M.A.F.I.A., whose debut album Conspiracy generated three hit singles.

Kimberly Jones’ debut studio album, Hard Core (1996) was certified double platinum by the Recording Industry Association of America (RIAA) and spawned three consecutive No. 1 rap hits: “No Time”, “Not Tonight (Ladies Night remix)”, and “Crush on You”, a record for a female rapper. Her following albums, The Notorious K.I.M. (2000) and La Bella Mafia (2003), were certified Platinum, making her the only female rapper besides Missy Elliott to have at least 3 platinum albums.

She was featured on the single, “Lady Marmalade”, which also had guest vocals by fellow recording artists Mýa, Pink and Christina Aguilera (a remake of the 1975 hit, which I’ve featured on here before) which went to No. 1 on the U.S. Billboard Hot 100, making her the second female rapper to have a No. 1 on that chart. In addition, the remake won two MTV Video Music Awards and a Grammy Award for Best Pop Collaboration with Vocals.

In 2005, she served a yearlong prison sentence for lying to a jury about her friends’ involvement in a shooting four years earlier. During her incarceration, her fourth album The Naked Truth was released. She returned to the public eye in 2009 with an appearance on Dancing with the Stars.

TheNotoriousKimLilKim

The Notorious Kim

Lil’ Kim

Side One

The Notorious Kim (Clean)
The Notorious Kim (Instrumental)
The Notorious Kim (A Cappella)

Side Two

The Notorious Kim (Dirty)
Big Momma Thang feat. Jay-Z (Dirty)
Big Momma Thang feat. Jay-Z (Clean)

Hey, Dirty, Baby I Got Your Money Don’t You Worry


Where should we start with ODB? His work with the Clan? Solo work? His infamous MTV appearance with his food stamps? There’s quite a bit to cover despite his short life so bear with me while we go through it. I really couldn’t cut much out without feeling a bit guilty.

One of the Wu Tang Clan’s videos was really the first video I remember seeing and loving, despite my dad’s immediate changing of the channel (he wasn’t a music video fan, just actual music). Going solo, ODB made some of the catchiest songs of the day and I’d sing along to them and hell, even still do. If you’re a hip hop fan fortunate to have grown up in the 1990s, you know how important Wu and all of its members were.

Who in my generation doesn’t remember the infamous food stamps incident either? Those days in rap seem so much grittier and real. Don’t get me wrong, I still love hip hop and rap today and a lot of the same social issues still exist but I sometimes feel there will never be the same poetry to rap as there was then.

We can also never forget that ODB was the original Kanye, rushing stages over music awards!

ODB

Russell Tyrone Jones (November 15, 1968 – November 13, 2004), better known under his stage name Ol’ Dirty Bastard (or ODB) was often noted for his trademark microphone techniques and his “outrageously profane, free-associative rhymes delivered in a distinctive half-rapped, half-sung style”. His stage name was derived from the 1980 martial arts film Ol’ Dirty and the Bastard; Method Man articulated its relevance on track 5 of Enter the Wu-Tang (36 Chambers), stating there was “no father to his style“.

ODB was one of the founding members of the Wu-Tang Clan, a rap group primarily from Staten Island, New York which first rose to mainstream prominence with their 1993 debut album Enter the Wu-Tang (36 Chambers). The same year, Ol’ Dirty Bastard was convicted of second degree assault for an attempted robbery and the next year, he was shot in the abdomen following an argument with another rapper.

After establishing the Wu-Tang Clan, Ol’ Dirty Bastard went on to pursue a successful solo career and contributed as a rapper/producer for the Fugees. Ol’ Dirty Bastard’s first solo album, Return to the 36 Chambers: The Dirty Version, spawned the hit singles “Brooklyn Zoo” and “Shimmy Shimmy Ya”, which helped propel the album to platinum status. In this same year, Ol’ Dirty Bastard collaborated with Mariah Carey for the “Fantasy Remix”.

Around this time, Jones gained notoriety when, as he was being profiled for an MTV biography, he took two of his thirteen children by limousine to a New York State welfare office to pick up his welfare check; his latest album was still in the top ten of the US charts. The entire incident was filmed by an MTV camera crew and was broadcast nationwide. ODB explained on the Howard Stern show that he was not actually receiving welfare at the time of the MTV segment, but he went to the welfare office to show MTV how he lived before becoming a successful rapper and when he presented his old welfare card there was a still a past balance credited to the account that he had never used and he was given the money and food stamps, much to his surprise.

In 1997, Ol’ Dirty Bastard appeared on the Wu-Tang Clan’s second and most commercially successful work, the double album Wu-Tang Forever. He had fewer appearances on this album than the group’s debut, contributing to one solo track (“Dog Shit”), three verses (“Maria”, “Reunited”, “Heaterz”), one hook (“As High as Wu-Tang Get”), and a spoken introduction/refrain (“Triumph”).

In February 1998, Jones witnessed a car accident from the window of his Brooklyn recording studio. He and a friend ran to the accident scene and organized about a dozen onlookers, who assisted in lifting the 1996 Ford Mustang—rescuing a 4-year-old girl from the wreckage. She was taken to a hospital with first and second degree burns. Using a false name, Jones visited the girl in the hospital frequently until he was spotted by members of the media.

The evening following the traffic accident, Jones rushed on-stage unexpectedly as Shawn Colvin took the stage to give her acceptance speech for Song of the Year at the 1998 Grammy Awards, and he announced he had recently purchased expensive clothes in anticipation of winning the Grammy Award for Best Rap Album that he lost to Puff Daddy. As Jones took the stage to a round of applause, he asked the audience;

“Please calm down, the music and everything. It’s nice that I went and bought me an outfit today that costed a lot of money today, you know what I mean? ‘Cause I figured that Wu-Tang was gonna win. I don’t know how you all see it, but when it comes to the children, Wu-Tang is for the children. We teach the children. You know what I mean? Puffy is good, but Wu-Tang is the best, Okay? I want you all to know that this is ODB, and I love you all. Peace!”

In July of that year, only days after being shot in a push-in robbery at his girlfriend’s house in Brooklyn, he was arrested for shoplifting a pair of $50 shoes from a Sneaker Stadium store in Virginia, although he was carrying close to $500 in cash at the time. He was issued bench warrants to stand trial after he failed to appear in court numerous times. He was arrested for criminal threatening after a series of confrontations in Los Angeles a few weeks later, and was then re-arrested for similar charges not long after that.

On January 14, 1999, two officers from the Street Crimes Unit fired eight shots at ODB (Russell Jones) and accused him of firing at them after they stopped his car in Bedford-Stuyvesant. Mr. Jones was cleared by a grand jury and insists that the officers had been scared by his cellular phone. No weapons or shell casings (besides those of the officers) were found in the vehicle or near the scene. The next month, he was arrested for driving without a license and for being a convicted felon wearing a bulletproof vest. At the time, it was illegal for felons to own body armor. Back in New York weeks later, he was arrested for drug possession of crack cocaine and for traffic offenses.

That same year, Ol’ Dirty Bastard wrote and recorded his second studio album, Nigga Please, between jail sentences. The album received notable commercial success, although it failed to parallel the critical praise of his debut. This release included the single “Got Your Money”, which garnered worldwide chart success. The song was produced by The Neptunes and featured chorus vocals by R&B singer Kelis.

Late in 2000, he escaped from his court-mandated drug treatment facility and spent a month as a fugitive. During his time on the run, he met with RZA and spent some time in their recording studio. In late November 2000, while still a fugitive, he was arrested outside a South Philadelphia McDonald’s (at 29th and Gray’s Ferry Ave.), after he drew a crowd while signing autographs. He spent several days in a Philadelphia jail and was later extradited to New York City. In 2001, with Jones again in jail, his record label Elektra Records made the decision to release a greatest hits album in order to both end their contract with the artist. After the contract with Elektra was terminated, the label D-3 records released the album The Trials and Tribulations of Russell Jones in 2002, composed of tracks compiled without Jones’ input.

In 2003, the day he was released from prison, with Mariah Carey and Damon Dash by his side, Jones signed a contract with Roc-A-Fella Records. Living at his mother’s home under house arrest and with a court-ordered probation, he managed to star in a VH1 special, Inside Out: Ol’ Dirty Bastard On Parole. He also managed to record a new album, originally scheduled to be released through Dame Dash Music Group in 2004; it has since been shelved indefinitely.

Jones collapsed at approximately 4:35 pm (EST) on November 13, 2004 (two days before his 36th birthday) at RZA’s recording studio (36 Chambers Records LLC on West 34th Street in New York City). He was pronounced dead at 5:04 pm (EST). His funeral was held at Brooklyn’s Christian Cultural Center and drew a crowd of thousands. The official cause of death was a drug overdose; an autopsy found a lethal mixture of cocaine and the prescription drug tramadol. The overdose was ruled accidental and witnesses say Ol’ Dirty complained of chest pain on the day he died.

In 2012, his FBI file was released to the public after a Freedom of Information Act request. It contains details of numerous crimes, such as alleged connections to three murders, a shoot out with the New York City Police Department, and a Racketeer Influenced and Corrupt Organizations Act investigation against the Wu-Tang Clan.

ODBGotYourMoney

Got Your Money

Ol’ Dirty Bastard

Side One

Got Your Money (Amended Version)
Got Your Money (Original Version)
Got Your Money (Instrumental)

Side Two

Rollin’ wit You (Amended Version)
Rollin’ wit You (Original Version)
Rollin’ wit You (Instrumental)

Turn It Up For Busta


Busta’s career really took off when I was really starting to form my own musical tastes so I’ll always have this love for fast spittin’ rappers whose flows I simply cannot keep up with. I’ll just be over here, knowing the lyrics but mumbling through verses until hooks and choruses!

Trevor Tahiem Smith, Jr., (born May 20, 1972), better known by his stage name Busta Rhymes, is an American rapper, producer, and actor from Brooklyn. Chuck D of Public Enemy gave him the moniker Busta Rhymes, after NFL wide receiver George “Buster” Rhymes.

Early in his career, he was known for his wild style and fashion, and today is best known for his intricate rapping technique, which involves rapping at a fast rate with a lot of internal rhyme and half rhyme, and to date has received eleven Grammy nominations for his musical work.

BustaTurnItUp

Turn It Up

Busta Rhymes

Side One

LP Version
Instrumental

Side Two

LP Version (Clean)
Instrumental